Dora García
Talker is an interview zine about performance.
This is Issue #6. It features a conversation with Spanish artist Dora García.
For over 18 years García has worked with performance to deal critically with relationships between artworks, audiences, and places. Her projects are often developed in response to works by others and deploy performers as intermediaries in ambiguous roles as undercover agents, prophets, guides or spies.
In this conversation she traces the origins of her performance practice from a diverse creative community in Brussels in the early 2000s to the Happenings by Argentinian polymath Oscar Masotta happening again in her recent work Segunda Vez (2018).
Talker is an interview zine about performance.
This is Issue #6. It features a conversation with Spanish artist Dora García.
For over 18 years García has worked with performance to deal critically with relationships between artworks, audiences, and places. Her projects are often developed in response to works by others and deploy performers as intermediaries in ambiguous roles as undercover agents, prophets, guides or spies.
In this conversation she traces the origins of her performance practice from a diverse creative community in Brussels in the early 2000s to the Happenings by Argentinian polymath Oscar Masotta happening again in her recent work Segunda Vez (2018).
Talker is an interview zine about performance.
This is Issue #6. It features a conversation with Spanish artist Dora García.
For over 18 years García has worked with performance to deal critically with relationships between artworks, audiences, and places. Her projects are often developed in response to works by others and deploy performers as intermediaries in ambiguous roles as undercover agents, prophets, guides or spies.
In this conversation she traces the origins of her performance practice from a diverse creative community in Brussels in the early 2000s to the Happenings by Argentinian polymath Oscar Masotta happening again in her recent work Segunda Vez (2018).